domingo, 31 de mayo de 2020

Islamic Glass Image Gallery - Muslim HeritageMuslim Heritage

Islamic Glass Image Gallery - Muslim HeritageMuslim Heritage

Islamic Glass Image Gallery

by Cem NizamogluPublished on: 8th May 2020

From Ibn Al-Haytam’s optical lenses to a mosque lamp of Amir Qawsun, Muslim Civilisation played a major role in inspiring the growth of the glass industry. Mosques, houses and cities were transformed into centres of rich decoration with glass. Muslim Civilisation turned a craft into an industry, employing large numbers of workers.

1.1 Stained glass windows of Nasīr al-Mulk Mosque in Shiraz, Iran – (Source)
Note of the Editor:  This article was first composed by Cem Nizamoglu for 1001 Inventions website and now updated for Muslim Heritage website.
From Ibn Al-Haytam’s optical lenses and Ibn Hayyan’s chemistry flasks to a mosque lamp of Amir Qawsun, Muslim Civilisation played a major role in inspiring the growth of glass industry from the 8th century onwards.
Mosques, houses and cities were transformed into beautiful spaces richly decorated with glass. Beauty and functionality were both essential elements of design in Muslim Civilisation. Possibly in an effort to supply the thousands of mosques, and also thanks to the input provided by the thriving scientific activity in fields such as optics and chemistry, glassmakers in Muslim Civilisation turned – what had up till then been – a craft into an industry employing new techniques and large number of workers from different parts of the Muslim Civilisation.
Under Islam, the glass industry witnessed a revival. The old centres flourished and new ones were established. The remarkable, sumptuous Islamic glass treasures which are distributed among museums throughout the world, bear witness to the high artistic and technological level of Islamic glass.
A. Y. Al-Hassan*
*Al-Hassan, A. Y. “Science and Technology in Islam: Technology and applied sciences” UNESCO, 2001; Page 74.

2.1 Ewer with Molded Inscription, 9th century, Iraq (Abbasid period) (Source)
2.2 Bottle, 7th–early 8th century, Egypt or Syria (Sasanian period?) (Source)
2.3 Bottle with Blue Trails, 12th century, probably Syria (Seljuk Period?) (Source)
“… Similar bottles are in museums in Saint Petersburg, Kiev, and Berlin. That a majority of these examples were reportedly found in the Caucasus region or along the coast of the Black Sea suggests that they were part of the well-established glass trade between Syria, northwestern Asia, and eastern Europe”
Vast Production
Throughout the Muslim Civilisation glassware was produced in vast amounts from the 8th century either by blowing liquid glass into holds or by cutting it from crystal. Glassmakers in Syria and Egypt inherited the Roman glass industry and improved it by developing their own technique perfecting glass decoration and colouring, and expanding the variety of products.
Muslim and non-Muslim glassmakers working in the Islamic areas, however, were extraordinarily creative and, in tune with the general evolution of Islamic art, brought this craft to a new technical, technological, and artistic heights.”
Josef W. Meri*
*Meri, J. W. “Medieval Islamic Civilization: An Encyclopedia”; Routledge, 31 Oct 2005; Page 297.
Excavation work in Syria and other parts of the Muslim Civilisation uncovered a huge amount of glassware. Aleppo in Syria was mentioned as a glassmaking and decorating centre by the geographers Yaqut Al-Hamwi (d. 1229) and Al-Qazwini (d. 1283). Damascus, too, was described as a glassmaking centre by Ibn Battuta (d. 1377). Egypt, Iraq and Andalusia were also all producing glass in vast quantities.
Glass from the Muslim Civilisation, and especially that from Syria, was highly prized the world over. Glass objects were discovered in medieval European sites in Sweden, and Souther Russia. Even such fragile objects as Syrian enamelled glass of the 13th century have been found in Sweden.

3.1. From 
The Museum of Islamic Art (MIA)  exhibition on glass of the Islamic world, 2012 (Source)

4.1 Goblet with Incised Designs, 8th–9th century, probably Iraq or Syria (Abbasid or Ummayd periods)“… Some objects bear inscriptions, such as the kufic calligraphy on this goblet that reads, “Drink! Blessings from God to the owner of the goblet”. Formulas including good wishes were commonly found on eating and drinking vessels in both pottery and glass.” (Source)
4.2 Glass Bowl in Millefiori Technique, late 10th–early 11th century, Probably Iraq ((Abbasid period?)  (Source)
Supporting Scientific Endeavours
Modern chemistry grew, in some measure, out of Islamic alchemy…. There was a great deal of practical experimenting done in the making of glass, leather, and cloth, the working of metals, and in the preparation of drugs...”
F. B. Artz*
*F.B. Artz: The Mind; op cit; pp. 165-7.

5.1 Glass chemical flasks, Arabic manuscript held in the British Library showing the distillation process in a treatise of chemistry. © The British Library, London.
image alt text
6.1 Medical flasks and bottles can be seen in this Ottoman manuscript about Islamic market, medicine and pharmacy.
In the early 14th century, more than 300 years after Ibn Sahl, Maragha astronomer-mathematician Kamal al-Din al-Farisi experimented with a glass sphere filled with water to analyze the way sunlight breaks into the spectrum colors of a rainbow. The rays that produced the colours of the rainbow, he observed:
… were refracted upon entering his glass sphere, underwent a total internal reflection at the back surface of the glass sphere (which sent them back toward the observer), and experienced a second refraction as they exited the sphere. This occurred in each droplet within a mist to produce a rainbow.”
Kamal al-Din Al-Farisi (1267-1319)*
*R. Rashed, “Kamal al-Din”; C.B. Boyer, The Rainbow: From Myth to Mathematics,

7.1. Cup, about 800-999 (Source)
“the makers of such objects may have been seeking ways to achieve some freedom of expression within the rules of repetition common in Islamic art. This freedom could be achieved by using different combinations of tongs, which bore patterns different from those of one- or two-part molds. Archeological finds indicate that this type of glass was traded extensively in the Islamic world during the ninth and 10th centuries.”
7.2 Bottle, about 800-899 from Egypt, Syro-Palestine (Source
Al-Jazari’s treatise includes water and irrigation devices, machines where robot girls place a drinking glass in the ruler’s hand, mechanical flutes, decorative items such as a monumental door with one of the earliest descriptions of green-sand casting.”
Al-Djazairi, S.E*
*Al-Djazairi, S.E.. The Golden Age and Decline of Islamic Civilisation, Volume 2 (Kindle Locations 2759-2760). MSBN Books. Kindle Edition. 
The technique of cutting crystal was said to have been introduced by ‘Abbas ibn Firnas (d. 887), scholar and inventor in the courts of ‘Abd al-Raḥman II and Muḥammad I. It is worth pointing here to the genius of Ibn Firnas, who was not only able to decipher the most complex writing, but also made attempts at flying by building artificial wings. In relation to glass, he was familiar with the scientific properties of glass, and contributed to the early experiment with lenses and the idea of magnifying script by their use. He also lent his skills to the glass making furnaces of Cordoba, and made a representation of the sky in glass, which he was able at will to make clear or cloudy, with lightning and the noise of thunder at the press of a finger.

8.1 Rock Crystal ewer made for the Fatimid caliph al-Aziz. 975-976. Rock Crystal. One of the few surviving Fatimid court objects, carved from a single piece of rock crystal. al-Aziz ruled Egypt from 975 to 996. The crystal was imported from Afria and was velieved to prevent nightmares. Many of these precious artifacts were later melted down and sold for their metals. Treasury of St. Mark’s, Venice. pg 253. (Source)
Decorative Art
“The rise of Islam, and the resulting expansion of Muslim territories through the seventh century A.D., ultimately gave rise to a society that kept alive many of the achievements that were lost in the west. Mosaic glass, cast and cut vessels, and free- and mold-blown wares continued to be made, and starting in the ninth century, new decorative approaches emerged. The principal advance began with the discovery that glass could be painted with metallic stains, resulting in a type of glass known as lustre ware because of its distinctive sheen. This was the first stained glass.”*

9.1 Window in stained glass, 17th century, Egypt or Syria (Ottoman period?) (38.7 x 48.3 cm). A window such as this with brightly coloured panes in blue, orange, green, and red might have been found in a room of an aristocratic home in the Islamic world. Tinted glass was favoured because it filtered the light, but it also complemented the multihued furnishings of the room.
German art historian Otto von Simson explained the origin of the rose window by comparing the idea to the six-sided rosettes and octagon window on the outside wall of the Umayyad palace Khirbat al-Mafjar, built in the Holy Land in about 750 CE. The theory is that Crusaders saw such windows and brought the idea back to Europe, introducing it into churches.”

10.1 Mosque Lamp of Amir Qawsun, ca. 1329–35 (Source)
“… Large glass lamps of this type were commissioned by sultans and members of their court for mosques, madrasas (Qur’anic schools), tombs, hospices, and other public buildings in fourteenth-century Mamluk Cairo. This example bears the name of its patron, Qawsun (d. 1342), amir of the Sultan al-Nasir Muhammad ibn Qalaun (r. 1293–1341 with brief interruptions), and was probably intended for one of his two architectural commissions in Cairo—a mosque or a tomb-hospice complex.”
10.2 Glass Bowllate 10th–early 11th century (Source)
Varied Techniques
… The first painters of glass in the Islamic world applied a brownish or yellowish metallic pigment on bowls, dishes, and other objects. The decoration usually consists of animal or vegetal motifs, sometimes accompanied by inscriptions. By applying pigments to both sides of these objects, glassmakers could highlight details or exploit the transparency of the glass to produce subtle shading effects…
Muneneh Michael*
*Michael, Muneneh “An exploration into barriers to use of waste glass in interior spaces in Nairobi” Page 29 (PDF

11.1. Animal with Double Cosmetic Tube, 7th– 9th century, possibly Syria (Sasanian period) (Source
11.2 The Corning Ewer, about 10th century, possibly Egypt (Fatimid period?) or Western Asia (Source)
11.3 Drinking Horn, 7th– 9th century, probably Egypt (Abbasid period?) (Source)
Some of the most sophisticated Egyptian glass vessels were decorated with lustre. This shiny, sometimes metallic effect was achieved by painting copper or silver oxide on the surface of the object, which was then fired at a temperature of about 600°C (1112°F) in reducing conditions. The same technique, as already noted, was used in the decoration of earthenware, not only in Egypt but also in Iraq and Iran. Until recently, controversy raged over the origin of lustre painting, but the problem appears to have been solved by the discovery at Al-Fustat, of a glass cup of local type, inscribed with the name of ‘Abd al-Hamad, governor of Egypt in 771-772; Egyptian glass painters were therefore using lustre some time before its appearance in Iraq.

12.1. A cut glass beaker, 10th century, Persia (Saffarid period?)  (Source)
12.2 A clear glass inkwell, 12th/13th Century,(Seljuk or Khwarazmian period?) Persia (Source)
12.3 A Free-blown trailed-glass hanging lamp, 7th/8th century, (Umayyad period?) Syria (Source)
 “At once decorative and functional, the delicately applied trailing designs on the present hanging lamp cover almost its entire surface. Composed of deep blue glass, these trailing motifs act as contrasts to the yellowish body of the vessel. Stefano Carboni links this type of decoration to the late Roman period, the production of which was extended into the early Islamic period, and at first limited to: “areas that were once part of the Roman and Byzantine Empires, including Egypt, Syria, and Mesopotamia” (Carboni 2001, p. 163)

13.1. Beaker, enameled glass vessels, late 13th century, Mamluk period, Syria (Source)
“… Its decoration is probably inspired by contemporary manuscript paintings and depicts courtly figures and scenes of royal pastimes, such as hunting and polo.”
Contact between the Byzantine Empire and the new empire of Islam allowed Islamic glassmakers to add the known Roman and Byzantine glassmaking techniques to their own glassmaking knowledge. As with many chemical arts, this cumulative glassmaking knowledge was then preserved by the world of Islam until the coming of the Renaissance in the West. In Islam glassmaking flowered again for a time, combining Roman knowledge with indigenous traditions...”
Seth C Rasmussen*
* Rasmussen, S. C. “How Glass Changed the World: The History and Chemistry of Glass from Antiquity to the 13th Century”; Springer Science & Business Media, 24 Feb 2012. Page 40

14.1 Stock Photo: Stained-glass window in La Giralda, Seville, Spain, Image ID:33481360 Copyright: S.Borisov (Source)
In Al-Andalus, glass vessels were blown in Almeria, Malaga, and Murcia in imitation of eastern wares, such as the irakes –glass goblets– so favoured on the noble tables of 10th-century León. The technique of cutting crystal was said to have been introduced by ‘Abbas ibn Firnas (d. 887), scholar and inventor in the courts of ‘Abd al-Raḥman II and Muḥammad I. It is worth pointing here to the genius of Ibn Firnas, who was not only able to decipher the most complex writing, but also made attempts at flying by building artificial wings. In relation to glass, he was familiar with the scientific properties of glass, and contributed to the early experiment with lenses and the idea of magnifying script by their use. He also lent his skills to the glass making furnaces of Cordova, and made a representation of the sky in glass, which he was able at will to make clear or cloudy, with lightning and the noise of thunder at the press of a finger.
Even if you put burning charcoal on its head
The huqqa*, a teacher of etiquette,
Will not respond unless drawn upon.
Thus one can learn refinement from its manners.
(a Persian verse)*
*Huqqa: hookah, shisha, narghile, argilah (more names)
 A coloured glass and silver-gilt huqqa ,Ottoman, 19th century (Source)
*[Persian verse on its base. In the verse, the huqqa obeys the rules of courtly etiquette, remaining silent until its patron draws it out in “conversation”.] – Gökçigdem, Elif “Fragile Beauty: Islamic Glass”


Read More on other industries in Muslim Civilisation


More Quotes and Images

15.1. Turkish/Ottoman glass work, 19th Century, Turkey (Source)
Glass Armband, 8th-9th centur, ex-Barakat Egypt (Source)
There is an excellent passage by al-Farabi (870-950), which proves that Muslims used telescopes and other sighting devices for the observation of the planets at quite an early date. His passage on the science of mechanics and other devices includes:
“The optical devices used in the production of instruments that direct the sight in order to discern the reality of the distant objects, and in the production of mirrors upon which one determines the points that reverse the rays by deflecting them or by reflection or refraction. With this, one can also determine the points that reverse the sun’s rays into other bodies, thus producing the burning mirrors and the devices connected with them.” Al-Farabi*
*Ihsa’ al-Ulum; ed. O. Amin; Al-Maktaaba al-Anglo-Misriya (Cairo; 1968), pp. 108-110; in G. Saliba: The Function of Mechanical Devices in Medieval Islamic Society; in Science and Technology in Medieval Society; edited by P.O. Long; The Annals of the New York Academy of Sciences (New York; 1985), pp. 141-51; at pp. 145-6.
Al-Djazairi, S.E.. The Golden Age and Decline of Islamic Civilisation, Volume 1, MSBN Books.

16.1. Glass Dish with Mule and Rider, and Animals, about 901-999 (Source)
“In the ninth and 10th centuries, Islamic glassmakers introduced new shapes, colors, and decorative patterns. This is among the most extraordinary stained glass objects that have survived from the Islamic period…”
16.2 Glass Bowl with pigeon and fish motives, about 900-1099 (Source)
Glass changed the course of the history. For example, it is said that – the inventors of gunpowder, paper, printing, and the compass -Chinese did not make much advances in technology after 14th Century because they simply preferred porcelain tea cup over wine glass:
“The invention of glass meant that we also had the technology of lens grinding, telescopes and microscopes. The invention of spectacles meant that intellectuals and scientists had an extra 15-20 years of a reading and active life. Also came the invention of beakers, flasks and retorts, which was useful because glass is chemically neutral. Between the 14th century and the 19th century, no glass was made in China. It also meant that they had no mirrors and their windows were made out of paper, which meant they had dark houses. So, the point is that since they liked drinking tea from the teacup, they never bothered to try to invent glass.” *Stephan Fry
*Stephan Fry, QI – Season 7 Episode 4: The Chinese, the teacup and glass

17.1 Turkish Glass Prayer-beads (tesbih) (Source)
“… Also the thinness and translucence of Syrian glass are proverbially famous; one says more delicate than Syrian glass, or clearer than Syrian glass.” Al-Tha’libi (961-1038)*
*H.J. Cohen: Early Islamic Scholars as glassmakers; in A. Engle ed: Readings in Glass History; 2; (Phoenix Publications; 1973); pp. 30-5; at p. 33.

18.1 Nasīr al-Mulk Mosque in Shiraz, Iran (Source)
“The designers Muhammad Hasan-e-Memar and Muhammad Reza Kashi Paz-e-Shirazi used extensively stained glass on the façade and other traditional elements such as panj kāseh-i (five concaves), which create a breath taking effect of the interior like standing in a kaleidoscope. Once the sunlight hits the stained glass, the entire building is flooded by a vibrant rainbow of colours. In popular culture, the mosque is also called Pink Mosque, because its tiles are beautifully decorated with a pre-eminently pinkish rose colour.”
*Mosque of Whirling Colours: A Mixture of Architecture and Art in Nasīr al-Mulk Mosque in Shiraz, Iran” by Cem Nizamoglu 

19.1 Turkish Ottoman Savatli Glass Ewer, Pasabahce Glass (Source)
“… Egyptian and Syrian glass and metal-work, as well as many of the products of Mesopotamia and Moorish Spain, were highly prized as being manifestly superior to anything that could be made in western Europe. It was largely by imitation and, in the end, sometimes by improvement of the techniques and models that had come from or through the Near East, that the products of the West ultimately rose to excellence…” C. Singer *
*C. Singer et al edition: A History of Technology; vol II; op cit. pp. 754-6.
20.1 “Islamic Glass in the Corning Museum of Glass Vol. 1” by David Whitehouse (Source)

20.2 “Islamic Glass in the Corning Museum of Glass Vol. 2” by David Whitehouse (Source)
“Ibn al-Haytham’s treatise On the Burning Glass exhibits ‘a profound and accurate conception of the nature of focussing, magnifying, and inversion of the image, and of formation of rings and colours by experiments.’ In his treatise ‘The Shape of the Eclypse,’ he tries to explain the crescent image cast by the partially eclipsed sun through a small round aperture. Ibn al-Haytham also wrote on the rainbow, the halo, and spherical and parabolic mirrors, and fixed the height of the atmosphere at the equivalent of about ten English miles.” Al-Djazairi, S.E.*
*Al-Djazairi, S.E. The Golden Age and Decline of Islamic Civilisation, Volume 2 (Kindle Locations 6559-6564). MSBN Books. Kindle Edition. 

21.1 Al-Razi ((Latinized name Rhazes or Rasis) holding a glass flask for the patient treatment – European depiction of Al-Razi in the Latin version of one of his treatises translated by Gerard of Cremona in between 1250-60 (Source)
“Abu al-Qasim al-Zahrawi (Abulcasis in Latin), a 10th-century surgeon in Córdoba, composed Al-Tasrif, a 30-chapter medical encyclopedia describing dozens of operations, complete with graphic illustrations of surgical instruments, including scalpels, cauterizing tools, feeding tubes and cupping glasses.” Ibrahim Shaikh*
*Abu al-Qasim Al-Zahrawi the Great Surgeon” by Dr Ibrahim Shaikh

22.1 Usage of glass flasks in alchemy – Series of woodcuts of chemical and distilling apparatus from The works of Jabir ibn Hayyan (Geber in Latin), the most famous Arabian prince and philosopher, faithfully Englished by Richard Russel (London, 1678).  (e) Calcination, (f) Water bath, (g) Vessels, (h) Fixation and Sublimation
“Eighth century treatise on glass: Kitab al-Durra al-Maknuna (The Book of the Hidden Pearl of Jabir ibn Hayyan (Geber in Latin) (c. 721–c. 815) On Coloured Glass, On Lustre, On Gemstones And Pearls: Part 1: The Manufacture of Coloured Glass; Part 2: Lustre Glass; Part 3: The Colouring Of Gemstones, The Purifying and Making of Pearls and Other Useful Recipes; Part 4: Assessment of Kitab al-Durra al-Maknuna.”

23.1 Islamic Glass game piece or weight (Source)
“Al-Tusi made his observations without telescopes or even glasses,” says Djebbar, removing his own spectacles and waving them theatrically in the air. “Even though the Arabs possessed the knowledge to make lenses, they probably thought it was an idiotic idea. God made us like this; why hang something on our noses to see better?” he jokes, placing his glasses back on his nose with a flourish. His audience erupts into laughter as Djebbar, who was curator of “The Golden Age of Arabic Sciences”—the Paris exhibition, which ran from October 2005 through March 2006 at the Arab World Institute—tries to quiet them down.” Richard Covington*
*Rediscovering Arabic Science” by Richard Covington

24.1 Stained Glass – Sultan Omar Ali Saifuddien Mosque. Photo by chem7 (Source)
“… Of these are several small military departments… such as the department of foundries for iron, copper, glass and others.” Al-Qalqashandi (d. 1418)*
*Al-Qalqashandi: Subhi al-A’sha; Cairo Ministry of Culture; part 4; p. 188. “Al-Qalqashandi (d. 1418) in Subhi al-A’sha, when discussing government departments in Damascus during the period of 1171-1250″.  

25.1 A 14th century glass finger bowl, Mamluk dynasty, Egypt or Syria
“A medieval Islamic glass vessel sold in London yesterday[02/04/2009] for 1.6 million pounds ($2.3 million), more than 20 times as much as it fetched less than a decade ago, when it was dismissed as a fake… The bucket is actually a glass finger bowl, intricately gilded and decorated with colourful enamels, that dates from 14th century Egypt or Syria. It was made during the Mamluk dynasty that ruled the region from 1250 to 1517.”*

26.1  pair of Iznik-style glass mosque lamps, Europe for the Islamic market, 19th/20th century (Source)

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