The mystic way in postmodernity: transcending theological boundaries in the writings of Iris Murdoch, Denise Levertov, and Annie Dillard By Sue Yore

https://www.academia.edu/93472578/The_mystic_way_in_postmodernity_transcending_theological_boundaries_in_the_writings_of_Iris_Murdoch_Denise_Levertov_and_Annie_Dillard?rhid=37793374926&swp=rr-rw-wc-146233482&nav_from=a95c05dd-1919-41aa-abb3-1cfd58bf2160 The purpose of this thesis is to create an interdisciplinary dialogue between literature, mysticism and theology in the context of postmodernity. The study is led by the writings of three contemporary literary writers: Iris Murdoch, Denise Levertov and Annie Dillard who all demonstrate a mystical orientation in their life and work. They also all share more than a passing interesting in the fourteenth century mystic, Julian of Norwich who is invoked as a role model whom they seek to emulate as popular writers, contemplatives and theologians. The study challenges experiential, esoteric and colloquial understandings of mysticism by bringing a fresh relevance to the term in postmodemity. Selected writings of Murdoch, Levertov and Dillard are incorporated into various stages of a redesigned mystic way to develop an intermediary theology. In order to stretch the boundaries of theological expression, the work of Grace Jantzen, Dorothee Soelle and Sallie McFague are drawn on as they express parallel insights to those of the literary writers under discussion. The broad aims of this thesis are threefold. In the first instance, rather than dismiss the term 'mystic' as problematic as do many contemporary theologians, I seek to establish that mysticism is a vital category that integrates personal insight into a horizon of human becoming. Second, I will demonstrate that literary writings of, in this case, women, who demonstrate a mystical sensibility can facilitate the advancement of a more democratic, holistic and tenable theology. Third, I situate Murdoch, Levertov and Dillard on a mystical continuum with Christian mystics such as Julian. As such, this thesis does not seek to impose a theological agenda onto literature or use it as a means to explore confessional faith, but rather, by the end of this thesis, I will have demonstrated that a mystical orientation functions effectively as connecting principle between theological discourses and creative texts that are themselves on the mystic way. I would like to extend my thanks to a number of people who have supported, advised and encouraged me throughout the process of completing this thesis. First, I must acknowledge that the original idea grew from a conversation with my first supervisor Professor Ann Loades. In particular, Ann guided me toward the theological insights in the writings of Iris Murdoch, Denise Levertov and Annie Dillard whose work was unknown to me at that time. She also provided guidance for the initial stages of this study. Second, I would like to extend my sincere gratitude to my second supervisor, Professor Philip Sheldrake, who helped me to focus my thinking and steer me through the academic requirements of completing a doctoral thesis following Ann's retirement. Philip's gentle, yet persuasive style of supervision saw me through what was to become a longer and more complex process than expected. I must also thank my long suffering colleagues in Theology and Religious Education at York St John's University College. I would like to make particular mention of Pauline Kollontai, who offered practical help with teaching, emotional support and motivation, and ...