ALBORES DE LA PRIMERA GUERRA MUNDIAL

Christa Zaat

Peder Mønsted (Danish painter) 1859 - 1941
Vinterdag ved Ponte-Campovasto, Schweiz (Winter in Ponte-Campovasto, Switzerland), 1914
oil on canvas
80 x 120.5 cm. (31½ x 47½ in.)
signed, titled and dated P.Mônsted. / Ponte-Campovasto.1914. lower right
private collection

Born at the end of the ‘golden age’ of Danish painting, Peder Mønsted can be described as a product of that era. A landscape painter renowned for the clarity of light common to the painters of that age, his naturalistic ‘plein-air’ views made him the leading Danish landscapist of his age. He was also known for a number of portraits, including that of King George I of Greece.

Mønsted was born in Balle Mölle, near Grenna in eastern Denmark. He studied at the Prince Ferdinand’s Drawing School, Aarhus where he studied under Andries Fritz (1828-1906), a landscape and portrait painter, before moving to Copenhagen. Here he studied at the Royal Academy of Art between 1875 and 1878, and was taught figure painting by Julius Exner (1825-1910). Here too he would have come across the work of artists such as Christen Kobke (1810-1848), an outstanding colourist and Pieter Christian Skorgaard (1817-1875), a romantic nationalist painter, a knowledge of whose work is seen in the Danish landscapes and beech forests of Mønsted’s. As early as 1874, at the age of 15, he took part in the December Exhibition in Copenhagen. In 1878 Mønsted left the Academy to study under the artist Peder Severin Kröyer (1851-1910).

Mønsted travelled extensively throughout his long career, being a frequent visitor to Switzerland, Italy and North Africa. In 1883 Mønsted travelled to Paris where he worked with W. A. Bouguereau (1825-1905) for four months. As early as 1884, he visited North Africa returning later in the decade. The early years of the 20th century saw Mønsted returning to Switzerland, the south of France and Italy, the latter being the source of inspiration for many Scandinavian artists of the 19th century. The war years curtailed Mønsted’s travel to Norway and Sweden, however the 1920’s and 1930’s saw him return to the Mediterranean. From 1879 to 1941 he exhibited regularly at the annual Charlottenborg Exhibition. Throughout his long career, Mønsted continued to paint the Danish landscape and coastline. His is a romantic, poetic view of nature; he was an artist who depicted the grandeur and monumental aspect of the landscape, with a remarkable eye for detail and colour.

His works can be found in museums in: Aalborg and Bantzen.
Born at the end of the ‘golden age’ of Danish painting, Peder Mønsted can be described as a product of that era. A landscape painter renowned for the clarity of light common to the painters of that age, his naturalistic ‘plein-air’ views made him the leading Danish landscapist of his age. He was also known for a number of portraits, including that of King George I of Greece.

Mønsted was born in Balle Mölle, near Grenna in eastern Denmark. He studied at the Prince Ferdinand’s Drawing School, Aarhus where he studied under Andries Fritz (1828-1906), a landscape and portrait painter, before moving to Copenhagen. Here he studied at the Royal Academy of Art between 1875 and 1878, and was taught figure painting by Julius Exner (1825-1910). Here too he would have come across the work of artists such as Christen Kobke (1810-1848), an outstanding colourist and Pieter Christian Skorgaard (1817-1875), a romantic nationalist painter, a knowledge of whose work is seen in the Danish landscapes and beech forests of Mønsted’s. As early as 1874, at the age of 15, he took part in the December Exhibition in Copenhagen. In 1878 Mønsted left the Academy to study under the artist Peder Severin Kröyer (1851-1910).

Mønsted travelled extensively throughout his long career, being a frequent visitor to Switzerland, Italy and North Africa. In 1883 Mønsted travelled to Paris where he worked with W. A. Bouguereau (1825-1905) for four months. As early as 1884, he visited North Africa returning later in the decade. The early years of the 20th century saw Mønsted returning to Switzerland, the south of France and Italy, the latter being the source of inspiration for many Scandinavian artists of the 19th century. The war years curtailed Mønsted’s travel to Norway and Sweden, however the 1920’s and 1930’s saw him return to the Mediterranean. From 1879 to 1941 he exhibited regularly at the annual Charlottenborg Exhibition. Throughout his long career, Mønsted continued to paint the Danish landscape and coastline. His is a romantic, poetic view of nature; he was an artist who depicted the grandeur and monumental aspect of the landscape, with a remarkable eye for detail and colour.

His works can be found in museums in: Aalborg and Bantzen.