Montague Dawson (British painter) 1895 - 1973
The Marco Polo, s.d.
oil on canvas
61 x 91.4 cm. (24 x 36 in.)
signed Montague Dawson (lower left)
private collection
Montague Dawson was born into an artistic family in London in 1895. He was taught from an early age by his father, a Thames yachtsman and artist, and his grandfather Henry Dawson, a successful landscape painter. Montague Dawson would become perhaps the best known and most successful marine artist of his generation.
Although Dawson was not formally trained, he inherited a talent for painting, and around 1910 was hired by a commercial studio in London. At the outbreak of World War I, he joined the Royal Navy, where he illustrated images of war for publications. After the War ended, he established himself as a painter and illustrator, concentrating on historically accurate portraits of ships, drawing on Britain’s rich nautical heritage. It was in the 1920s that he became formally associated with Frost & Reed. This association increased his exposure, and demand grew for his works. From the early 1930s he lived at Milford-on-Sea in Hampshire, and he exhibited occasionally at the Royal Academy between 1916 and 1936.
The Marco Polo, s.d.
oil on canvas
61 x 91.4 cm. (24 x 36 in.)
signed Montague Dawson (lower left)
private collection
Montague Dawson was born into an artistic family in London in 1895. He was taught from an early age by his father, a Thames yachtsman and artist, and his grandfather Henry Dawson, a successful landscape painter. Montague Dawson would become perhaps the best known and most successful marine artist of his generation.
Although Dawson was not formally trained, he inherited a talent for painting, and around 1910 was hired by a commercial studio in London. At the outbreak of World War I, he joined the Royal Navy, where he illustrated images of war for publications. After the War ended, he established himself as a painter and illustrator, concentrating on historically accurate portraits of ships, drawing on Britain’s rich nautical heritage. It was in the 1920s that he became formally associated with Frost & Reed. This association increased his exposure, and demand grew for his works. From the early 1930s he lived at Milford-on-Sea in Hampshire, and he exhibited occasionally at the Royal Academy between 1916 and 1936.
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