Jan Toorop (Dutch-Indonesian painter) 1858 - 1928
De Zaaier, s.d.
lithograph on Japanese paper
21.6 x 32.9 cm.
private collection
A Symbolist lithograph, De Zaaier (the -spiritual- Sower) printed in brown on Japanese paper, depicting two female faces symbolising Het Verlangen (the Longing) and De Berusting (the Knowing), signed on the stone, signed in pen and numbered no. 23 in pencil.
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Jan Toorop was a descendant of a Dutch-Indonesian father and a British mother. In 1869, he left Indonesia for the Netherlands, where he studied in Delft and Amsterdam. In 1880 he became a student at the Rijksakademie in Amsterdam. From 1882 to 1886 he lived in Brussels, where he joined Les XX (Les Vingts), a group of artists centred around James Ensor. Toorop worked in various styles during these years, such as Realism, Impressionism Neo-Impressionism and Post-Impressionism.
After his marriage to an Annie Hall, a British woman, in 1886, Toorop alternated his time between The Hague, England and Brussels, and after 1890 also the Dutch seaside town of Katwijk aan Zee. During this period he developed his own unique Symbolist style, with dynamic, unpredictable lines based on Javanese motifs, highly stylised willowy figures, and curvilinear designs.
Thereafter he turned to Art Nouveau styles, in which a similar play of lines is used for decorative purposes, without any apparent symbolic meaning. In 1905 he converted to Catholicism and began producing religious works. He also created book illustrations, posters, and stained glass designs.
Throughout his life Toorop also produced portraits, in sketch format and as paintings, which in style range from highly realistic to impressionistic.
Toorop died on 3 March 1928 in The Hague, Netherlands. His daughter Charley Toorop (1891–1955) was also a painter, as was his grandson Edgar Fernhout.
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