D. Horzela, Opus punctile and Stained Glass around 1400, “Umění”, 62, 2017, nr 3, s. 226–243 By Dobrosława Horzela

https://www.academia.edu/37646586/D_Horzela_Opus_punctile_and_Stained_Glass_around_1400_Um%C4%9Bn%C3%AD_62_2017_nr_3_s_226_243?nav_from=31e116c5-1144-4605-a076-8fbfef07a1b0 The examination of early 15th-century courtly art highlights the deliberate imitation of goldsmiths' techniques across various artistic mediums, specifically focusing on the concept of emulatio, often rooted in competition rather than mere imitation. This practice showcases artists' aspirations to elevate their craft and social standing, providing compelling examples such as the Mérode Cup, which embodies a blend of stained glass aesthetics and goldsmithing techniques. The study emphasizes how such artistic endeavors not only reflect financial considerations but also align with the tastes of the time, revealing deeper motivations behind these imitative practices. ...