miércoles, 27 de septiembre de 2017

TÍPICO FRANCÉS || Christa Zaat

Christa Zaat

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Maurice de Vlaminck (French painter) 1876 - 1958 
Bord de Rivière, s.d.
watercolour, gouache and brush and ink on paper
45 x 54.5 cm. (17.75 x 21.5 in.)
signed Vlaminck (lower right)
private collection

Maurice de Vlaminck was a French painter. Along with André Derain and Henri Matisse he is considered one of the principal figures in the Fauve movement, a group of modern artists who from 1904 to 1908 were united in their use of intense colour.

Maurice de Vlaminck was born in Paris to a family of musicians. His father taught him to play the violin. He began painting in his late teens. In 1893, he studied with a painter named Henri Rigalon on the Île de Chatou. In 1894 he married Suzanne Berly. The turning point in his life was a chance meeting on the train to Paris towards the end of his stint in the army. De Vlaminck, then 23, met an aspiring artist, André Derain, with whom he struck up a lifelong friendship. When de Vlaminck completed his army service in 1900, the two rented a studio together, the Maison Levanneur which now houses the Cneai, for a year before Derain left to do his own military service. In 1902 and 1903 he wrote several mildly pornographic novels illustrated by Derain. He painted during the day and earned his livelihood by giving violin lessons and performing with musical bands at night.
In 1911, de Vlaminck traveled to London and painted by the Thames. In 1913, he painted again with Derain in Marseille and Martigues. In World War I he was stationed in Paris, and began writing poetry. Eventually he settled in Rueil-la-Gadelière, a small village south-west of Paris. He married his second wife, Berthe Combes, with whom he had two daughters. From 1925 he traveled throughout France, but continued to paint primarily along the Seine, near Paris. Resentful that Fauvism had been overtaken by Cubism as an art movement de Vlaminck blamed Picasso. During the Second World War de Vlaminck visited Germany and on his return published a tirade against Picasso and Cubism in the periodical Comoedia in June 1942. A practiced story teller, de Vlaminck wrote many autobiographies, marred little either by lack of confidence or adherence to the truth. De Vlaminck died in Rueil-la-Gadelière on 11 October 1958.




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